Thu Jun 27, 2013 9:15 pm
True works of art Luke!
Thu Jun 27, 2013 10:59 pm
You have every right to be a proud Daddy with these two! They have extremely refined aesthetics that still embody strength... fine line to ride. I am surprised someone with such an interesting grind request, at the same time, requested so much belly and "depth" on a 220, but to each their own.
That tanto tipped Suji/Kiritsuke is stunning. I hear myself speaking about a tool like its art... because your work is. That Wa...
pretty much everyone here knows I don't do bling handles, but wow... if I ever did, that is one I would jump on. I really resonate with the synergy of those 3 selections.
Really impressive artistry.
Fri Jun 28, 2013 1:24 am
Stunning knives and bro, your spalted maple is incredible...can I buy some? Haha!
Fri Jun 28, 2013 1:58 pm
Thanks everybody! I'm hoarding that maple like I'll never get any again. Because we try to use our own stuff, when we find something like this in a uprooted yard tree we don't give it up! This piece was also one of the richest out of the tree.
Melampus, I will say I had a hand in the grind request. The customer came by the shop while I was doing those grinds on some funayukis and was describing why I did them and their function, then went and fit him to his Western chef knife. Understandably he wanted that grind, but also rock chops primarily. . . Actually I think the grind will really help as a flat ground knife of that depth really does stack the food up like crazy and the pretty strong convex will really reduce the stiction, even if the combo is pretty unusual. And for makers it's not as fun without "bling"!
Sat Jun 29, 2013 1:49 am
Very nice looking stuff! Handles look very comfy and great grinds on the blades!
Tue Jul 02, 2013 2:08 am
LUKE <> I'm with you in your logic; I just would have been surprised if they had come up with it all on their own. And as for the "bling", I hear you, I just have a thing with knives drawing attention. Most people have no idea what they're looking at in a knife, but they see that handle and all of a sudden it's a target.
Wed Jul 03, 2013 11:02 am
Do you mean a "target" as in the mysterious vanishing act that nice carbons and nice knives in general do in pro kitchens? I've had several people ask me for "as ugly a knife as I can make that performs like crazy" and I think this is the reason. The problem is, most aspects that make it a joy to use automatically make it pleasing to the eye. . .
Thu Jul 04, 2013 4:44 am
LUKE <> Correct. The masses don't know what a blade is capable of, but they see a burl handle and its automatically a valuable acquisition. I have over 50 knives; all are plane Jane handled. Plus, I love the porosity of raw grain wood for grip.
Sat Jul 06, 2013 5:39 pm
I just fitted a German couple to a custom the other day and they said that in Germany it is illegal to have wood handles on knives in professional kitchens. I imagine stabilized wood would be ok? I too like the porosity of natural wood and the grippiness of raised grain. I really like the pecan that we use for that reason. It's a ring-porous wood with large vessel elements so it has great porosity even stabilized and gives a great grip.
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